Shooting our first 3D documentary’s not only going to change the way we capture content in the field, it’s also going to drastically change the
Good news on the post front: we’ve upgraded from Adobe CS4 to CS5.
And the stereo scripts our compositor will use to create VFX for
We’ve fed footage from our 3D green screen shoot into post, where we've promptly encountered our first editing glitch. We’re running a tria
A week of testing our B cam beam splitter rig system has revealed that the Sony EX1/EX3 duo
Our crew's spent the last week testing the B cam system we hope to use to shoot our first 3D documentary.
Here’s what we’v
As mentioned, I selected implosion cams for our first 3D documentary – six (three pairs) of
Writer Nicole Tomlinson stands in for a 3D green screen test
As we prep to shoot our first 3D documentary, I’ve focused on nailing down our A, B and C cam systems.
The A cam conundrum continues.
Day 3 of video ...
Stereographer Sean White details the C cam system we’ll use to film
